ginny_t | In other news

Just finished: Choices: An Anthology of Reproductive Horror, edited by Dianna Gunn. There are enough good stories in here that I'd recommend it, but the general problems—earnestness, literalness—persist throughout many of the stories. Ah, author-led anthologies.

Neosynthesis, edited by Bryan Chaffin. Speaking of! This almost had the opposite problem, which is a bunch of stories where I actually didn't know what was going on at all and couldn't orient myself. But it's rescued by quite a few standouts—Rohan O'Duill's Cold-verse short stories, especially "The Lore of Seven," "Nova Domus," which is about a spaceship becoming a person, and "The Nexpat," which is about life extension and virtual existence.

I also flipped through the winter edition of "The Colored Lens," though I ended up just skipping ahead to J.S. Carroll's "Romeo Popinjay vs Iron Hans in the Beauty and the Beast Match You Won't Want To Miss," which was what I bought the anthology for, and which is 1000% worth the cover price. I want an entire novel of this short story. It's about an alternate universe where other hominids survive into more or less the present era, and feature in sideshows and pro-wrestling. Two heels—one human, one a wildman—end up forming a strange and touching friendship and rebel against their promoter. It's so so good.

Currently reading: I think next up is going to either be the rest of the aforementioned anthology or Changelog by Rich Larson, since that's what's sitting on the top of my TBR pile.

ysabetwordsmith posting in

hooked_on_heroines

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Current Mood: busy

rachelmanija

The sequel to The Darkness Outside of Us. I enjoyed it! It's both interestingly different from the first book and is satisfying on the level of "I want more of this," which is exactly what one wants from a sequel.

Literally everything about this book is massively spoilery for the first one, including its premise. I'll do two sets of spoiler cuts, one for the premise and one for the whole book.

( Premise spoilers )

Stop reading here if you don't want to be spoiled for the entire book.

( Entire book spoilers )

marthawells

So yeah, kind of hard to concentrate on work while being consumed by rage. I've been to conventions in the Minneapolis area and I have a lot of friends up there, and one of my goddaughters and her husband live there.

For instance, this is Greg Ketter, from DreamHaven Books, where I've done signings, at the protest and running into tear gas:

https://www.youtube.com/shorts/XHDR1PnqPeg

I've been doing mutual aid and sending donations where I can (https://www.standwithminnesota.com/) which is helping my sanity somewhat.

Other stuff I should link to:

Interview with me on Space.com https://www.space.com/entertainment/space-books/martha-wells-next-murderbot-diaries-book-is-the-family-roadtrip-from-hell-on-ringworld-interview

Weather permitting, I'll be guest of honor this coming weekend at AggieCon in College Station: https://www.aggiecon.net/

That's all I've got right now. Abolish ICE.

umadoshi

There's little I can say about the political landscape. The news is horrifying pretty much everywhere. US friends in particular right now, especially in ICE-besieged spots, you're in my heart.

Reading: I haven't picked up a new novel since I finished Inside Threat. I'm still slowly reading Braiding Sweetgrass. And for my first non-work manga read of the year, since I'd really like to get back to actually reading manga, I reread vol. 1 of The Kurosagi Corpse Delivery Service, chosen largely because a newish Bluesky friend loves it and it's been so long since I read any of the series. Before the huge lull in it being published in English*, it and Yotsuba&! were the only manga I was actively keeping up with in terms of actually reading, as opposed to a few things that I've still been buying. (Looking at you, once-a-year release of Kaze Hikaru, which I will someday actually read.) But I've basically forgotten everything, so back to the start I go.

*Publication finally--technically--resumed with omnibus editions, and am I still mildly annoyed that to get vol. 15, I had to buy the fifth omnibus, thus rebuying vol. 13-14? Yes. Has any more come out since then? Nope.

Watching:

scruloose and I finished season 1 of Pluribus, which got even weirder than we expected, and in ways we wouldn't have guessed. Really, really good. (Also Yona watched the season finale with us, very intently tracking everything that happened onscreen. No idea why she was suddenly so fascinated.)

Playing: I put in a bit more time with I Was a Teenage Exocolonist, and it's not really clicking for me; I think this style of game (RPG? A story that unfolds differently depending on your choices, Choose Your Own Adventure-style?) may just not be my thing?

In huge-for-me game news, Cult of the Lamb: Woolhaven has dropped. It's the first really major expansion (priced as a full game, which makes sense given the scope) after several smaller expansions, and I'm overwhelmed by the number of new things I suddenly need to do to keep my little cult happy and thriving, but am having fun.

Weathering/Householding: It's currently very cold by local standards, esp. with the windchill, and tonight we have a lot of snow rolling in that's expected to keep falling all through tomorrow and possibly into Tuesday. Yesterday NSP (the power corporation) (*hisses*) announced that the grid is under an unusually heavy load (presumably due to people heating their homes?) and asked everyone to try to minimize power usage. It is very cold, yes, but not freakishly so, and public sentiment about NSP is...uh...very fucking negative, what with their profits and their constantly skyrocketing fees and their data breach and, oh, the rickety fucking grid that we are all paying through the nose for while fully expecting to lose power every time a breeze picks up. So we're putting off laundry, at least (one of the usual Sunday chores), and I'd had notions of actually baking something (!), but that may not happen; if it does, it'll probably involve something like mixing up cookie dough and only baking a handful in the toaster oven, or seeing about doing the actual baking with supper also in the oven (less likely; we'll probably just avoid the oven entirely).

("Please use less power" is not a big deal in the grand scheme of things, but the combination of garbage infrastructure and the level of energy poverty in this province makes it insult to injury.)

Current Mood: annoyed

sabotabby

Between my regular rotation of Bastards/Cool People/ICHH, I've been slowly making my way through Better Offline's coverage of CES. Technically this is work-related and I should be listening on work time (obviously I'm not) but if you want like 20 hours of coverage about what's new in tech (spoiler: not very much), AI crammed into everything, and robots that still can't fold laundry, it's worth checking out.

It's really interesting from more than just Ed Zitron's usual professional hater perspective—which, to be clear, is something I appreciate as a professional hater myself. Because with something like CES, the questions of "who is this for" and "what is the use case" are actually critical and in your face. It's the Consumer Electronics Show, after all. So while robots in manufacturing are obviously a thing, the use case for household robots is a bit more questionable. The most successful household robot, the Roomba, recently went out of business, because as it turns out, they're not useful for 1) most households, which have things like furniture and sometimes stairs, or 2) the parts of your floor that you really don't want to vacuum, like tricky corners. They are good for scaring cats or if your cat is not scared of them, transportation.

The episodes are full of even more absurd technology to solve problems that aren't real, like fridges that open for you, meant to automate the parts of your life that you actually want to enjoy. We want machines to do menial tasks, leaving creative work for us. As it turns out, they're quite good at menial tasks in a factory, where you're doing the same thing repeatedly, but not in a house, where you have to do a lot of little annoying things.

But what we (normal people) want is very different from what techbros want. Remember, these are people who have not had to experience challenges in real life, so when they think about what a person might need, they come up with things like "what if I didn't want to cook and I got my fridge to open for me and dumped a bunch of ingredients in a pot and it would make food, and also a robot read a bedtime story to my child?" The fantasy, of course, is having a slave. But that is not the fantasy that normal people have, and there's an incredible disconnect between where tech is heading and actual human needs.

Anyway, I am working through it very slowly because, as I said, 20+ hours, but it's worth a listen. Also if anyone can find pictures of Robert Evans in an exoskeleton I would like to see that for reasons.

rachelmanija

A teenage boy, Ambrose, wakes up on a spaceship with no memory of how he got there. OS, the AI programmed with his mother's voice, reminds him that he's on a mission to rescue his sister, who went to Titan two years ago and sent out a distress call. And also, he has a surprise companion on a journey he thought would be solo: Kodiak, a teenage boy from the rival nation, who is ensconced in his own quarters and refuses to come out.

Ambrose, who is a typical teenager in lots of ways apart from being a genius and an astronaut, manages to coax Kodiak out and immediately starts thinking lustful thoughts about him. Kodiak, whose country is much more austere and militarized than Ambrose's, very gradually warms up to him.

And then what I thought was going to be a slow-burn gay YA romance in a science fiction setting takes a huge left turn. To be fair, it does still centrally involve a gay YA romance. But the science fiction aspect isn't just there as a cool background. It's actually a YA science fiction novel that has a romance along with a plot that goes in multiple unexpected directions, and is very moving in a way that's only possible because of the science fiction elements.

If you're a stickler for hard science fiction in which everything is definitely possible/likely, this probably has at least one too many "I don't think that's likely to work that way" moments for you. But if you'd like to read a fun and touching science fiction adventure-romance that will probably surprise you at least once, just read the book without knowing anything more.

( Spoilers! )

sabotabby

I remain awed by, proud of, and scared shitless for my incredible friends in Minnesota, who are fighting on the front line against literal jackbooted thugs. Even if you don't have a personal connection, I'm sure you're also gripped by the news.

Here is how you can help:

A post by

naomikritzer

How to help if you are outside Minnesota.

This also has advice on how to start preparing for if and when this shit comes to your home state.

If you are in Minnesota.

I am also stealing some graphics that

lydamorehouse posted that you can spread around, as long as you credit the artist. Credit where it is known:

By Rin Mix.

By Cas Fern.

Artist unknown but if you find out, let me know and I'll edit it.

Let Minnesota be the graveyard of fascism!

sabotabby

Just finished: Mavericks: Life Stories and Lessons of History's Most Extraordinary Misfits by Jenny Draper. I don't have a lot to add since last week. If you read my blog you will like this. It is my jam. It's a rather inspiring read for—look, I haven't written about politics in a public post in awhile but you know. You know.

Currently reading: Choices: An Anthology of Reproductive Horror, edited by Dianna Gunn. This one I picked up because a lot of the authors in it are my kind of people, and it's a cool concept. There must be a particular subgenre of leftist, author-led anthologies, and like. I want to fix that subgenre. I want it to exist, but I want to push it like, a notch further or two.

Part of my problem here is absolutely personal, which is that I'm intensely phobic of pregnancy and childbirth, and so in order to ping as horror in my brain, a story has to somehow be worse than my own fairly intense reactions to the subject. A few of the pieces are but they're mostly "wow it would be awful to be pregnant in a dystopian regime that viewed women as chattel" well, here we are. I have the same critique of my own writing btw. You simply cannot write bad things fast enough to get your book out before those bad things are just an accepted part of reality. Plus a lot of the stories are earnest, which is one thing that horror can't be. There's one story about an anti-abortion protestor that goes straight for black comedy and it is excellent; so far it's my favourite.

rachelmanija

One rainy day Kanade, a high school student, finds a mouse-sized cat in his room. It's a fairy cat or "palm-sized cat!" They are elusive magical creatures which sometimes adopt humans, but mostly behave like ordinary cats. Only extra-tiny!

That's about it for the plot. What this manga is actually about is showing an incredibly adorable tiny cat being an incredibly adorable tiny cat. It's an incredibly adorable manga. Proof:

umadoshi

I finished Chuck Wendig's Wanderers (which according to the acknowledgements clocks in around 800 pages in hard copy) and wound up in that all-too-familiar place of "that was interesting, but I don't think I'm going to bother with the sequel". (Although by definition, I imagine the sequel must be telling a very different kind of story.) No idea why it is that I can often tell only partway through a book that I probably won't pick up its sequel and yet still want to finish the current one.

I also just read Inside Threat, the sixth of K.B. Spangler's Rachel Peng [see icon] novels. There's one more planned, and then that's it for this novel series; I think she's still intending to write a third Hope Blackwell novel (some of the events of that probably-someday book directly influenced what happened in this one, but the whole 'verse is a very twisty pretzel in terms of chronological vs. publication order). And this reminds me--I don't think I ever mentioned here that Act III of the A Girl and Her Fed comic, the core of the whole thing, wrapped up a few months ago, ending the series. (IIRC, Spangler does have ideas that could eventually turn into a fourth act of the webcomic, but has no current plans to pursue doing it. It sounds like AGAHF and the associated works understandably got harder and more exhausting to do over the last decade as the real-world US political situation got worse and worse and worse.)

There isn't a whole lot I can say about a sixth novel in a series, but Spangler's descriptions of the series when she's doing promo on Bluesky always entertain me. Yesterday she posted "It's book launch week! Spend the weekend catching up with my bargain basement cyborg hivemind. Murder, mystery, and a detective who just wants to be left alone with her poetry and bad romance novels"; here's her "what's this series about?" Bluesky thread from a few days ago.

So once again: highly recommended, and it's entirely possible to just read this set of novels without reading/knowing the comic. It means not knowing a lot of things about the world overall, but they're things that Rachel herself doesn't know at this point (and doesn't learn about until Act II of the comic, which starts after her books have wrapped up). I enjoy the comic and other material very much, but the Rachel books are by far my favorite.

And that bit got long, so just quickly:

--I'm a few more chapters into Braiding Sweetgrass and haven't picked up a next novel yet.

--

scruloose and I are current on the new season of The Pitt and four episodes into Pluribus, and just watched the season 2 premiere of Frieren: Beyond Journey's End. (Now to just hope this season covers past vol. 10 of the manga, since after we finished season 1 in 2024, I read volumes 7-10 before deciding to stop reading ahead and stick with the anime. It'd be nice to get at least a bit of new-to-me material this season, given that. Anyone know offhand how many episodes S2 will be?)

--And I've technically started a new (!) video game, in the form of I Was a Teenage Exocolonist (on Switch), but am not very far at all yet.

Current Mood: blank

rachelmanija

In this engrossing historical novel, three storylines converge on a single target, a female Nazi nicknamed the Huntress. During the war, we follow Nina, one of the Soviet women who flew bomber runs and were known as the Night Witches. After the war, we follow Ian, a British war correspondent turned Nazi hunter, who has teamed up with Nina to hunt down the Huntress as Nina is one of the very few people who saw her face and survived. At the same time, in Boston, we follow Jordan, a young woman who wants to be a photographer and is suspicious of the beautiful German immigrant her father wants to marry...

In The Huntress, we often know what has happened or surely must happen, but not why or how; we know Nina somehow ended up facing off with the Huntress, but not how she got there or how she escaped; we know who Jordan's stepmom-to-be is and that she'll surely be unmasked eventually, but not how or when that'll happen or how the confrontation will go down. There's a lot of suspense but none of it depends on shocking twists, though there are some unexpected turns.

Nina and Jordan are very likable and compelling, especially Nina who is kind of a force of nature. It took me a while to warm up to Ian, but I did about halfway through. Nina's story is fascinating and I could have read a whole novel just about her and her all-female regiment, but I never minded switching back to Jordan as while her life is more ordinary, it's got this tense undercurrent of creeping horror as she and everyone around her are being gaslit and manipulated by a Nazi.

This is the kind of satisfying, engrossing historical novel that I think used to be more common, though this one probably has a lot more queerness than it would have had if it had been written in the 80s - a woman/woman relationship is central to the story, and there are multiple other queer characters. It has some nice funny moments and dialogue to leaven a generally serious story (Nina in particular can be hilarious), and there's some excellent set piece action scenes. If my description sounds good to you, you'll almost certainly enjoy it.

Spoilers! ( Read more... )

Quinn has written multiple historical novels, mostly set during or around WW2. This is the first I've read but it made me want to read more of hers.

Content notes: Wartime-typical violence, gaslighting, a child in danger. The Huntress murdered six children, but this scene does not appear on-page. There is no sexual assault and no scenes in concentration camps.

umadoshi

As so often happens, I had several things I meant to post about and now they've mostly evaporated.

But I do know my tabs situation is staggering out of control. (Reliably over 1700 for at least the last couple of weeks.) Odds that I'll get to replying to all the posts I've read but opened in a tab to reply to later on...are currently very slim.

Have a link: Sarah Kurchak wrote about Heated Rivalry for TIME recently: "Heated Rivalry Handles Autism With Love, Care, and a Touch of Awkwardness".

Current Mood: busy
Current Music: Dessa — Rothko (live for The Current)

sabotabby

Today's episode is Wizards & Spaceships' "Editing Roundtable ft. Alexandra Pierce and Josh Wilson." If you read any SFFH, you'll know that the short story and critical essay markets are central in ways that they really aren't in other genre fiction or in literary fiction. If you hang out with SFFH people, you'll notice that "we should start a magazine" gets said almost as often as "we should start a podcast." Anyway, this episode looks at magazine publishing. Alexandra is the editor of Speculative Insight, which publishes critique and analysis about genre fiction, and Josh Wilson is the editor of The Fabulist, which specializes in extremely short SFFH. It's, among other things, a much more positive episode than I normally post here, so you should check it out.

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Since I damn well exist, you do, too.--Milton Acorn

In other news

Reading Wednesday

Meta: High Potential

The Brightness Between Us, by Eliot Schrefer

Abolish ICE

Weekly proof of life: reading, gaming (!), weather etc.

podcast friday

The Darkness Outside Us, by Eliot Schrefer

Signal-boosting

Reading Wednesday

Fairy Cat, by Hisa Takano

Weekly proof of life: mainly media again

The Huntress, by Kate Quinn

A very insubstantial post, but hey, there's a Heated Rivalry link

podcast friday

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January 2019

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